![]() The reigning hunk on today's opera stage, the handsome singer was believable as the husband with whom Judith was so much in love. His voice is sizable, with a rich, dark timbre. “Making his debut with the company, bass-baritone Ryan McKinny gave a superb, well-sung characterization of Bluebeard. “McKinny’s deep, easy bass-baritone and grave, sad manner make his Bluebeard a pleasure to hear and see.” He also acted his part exceptionally well, which is a tricky thing considering he played a man who genuinely loves Judith but also ends up suppressing her urge to ask questions as the show goes on.” McKinny was every bit her match as Bluebeard: from the moment he pulled the covers off himself and revealed he had been there the whole time, he commanded the stage with a powerful bass-baritone, which fit perfectly with how his character holds dominion over all the women around him. “But of course, the real meat and potatoes of the evening is Naomi Louisa O’Connell’s Judith and Ryan McKinny’s Bluebeard, both of whom were absolutely on fire. The role of Bluebeard on Wednesday night was sung by Ryan McKinny with a rare blend of dramatic force and subtlety.” “None of this framing would mean much without the excellent vocal performances at the heart of the evening. denounces the princess as forcefully as he did her mother before her, his humanity surfacing only in the fleeting moments temptation flickers across his heavily bearded face.” Jokanaan’s booming voice - no problem whatsoever for HGO Studio alum and company regular Ryan McKinny’s commanding bass-baritone. “The cast provides plenty of savory moments along the way. “Ryan McKinny delivered Jokanaan’s rants with a voluminous bass-baritone that was strong both high and low.” As if covered in ash and made to sit like a Buddha in a yoga class in his cistern prison, he commands indignant outrage as he booms out his pronouncements against the libidinous Herod family.” And his voice is an instrument of awe and immense dignity. Solid and muscular, he's not the emaciated man of the desert who lives on wild honey and locusts in Mark's gospel, but who cares if there's a gym near the River Jordan, he's perfect in the role. “Could there be a more visually attractive Jokanaan than bass-baritone Ryan McKinny? Here is a Prophet Salome could paw over. “McKinny, strong at both ends of his range, thundered richly as Jokanaan.” Yet McKinny’s voice grew softer and smoother when John briefly simmered down to tell Salome of the only one who could save her - implying, but not naming, Jesus.” His sheer, untiring stamina let John’s proclamations evoke a prophet’s resolve, not to say relentlessness. Bass-baritone Ryan McKinny thundered them out in voluminous tones - not only secure and commanding at the top, but dark and sturdy below. “It was no wonder that Salome found John the Baptist’s flights of oratory so arresting.
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